Alex Grillo and Sébastien Béranger met at various events combining instrumental and electronic improvisation. These first experiments motivated the desire to consider a collaboration that would lead to a transversal and multidisciplinary form, mixing texts, real-time electronics and instrumental gestures. In today’s world, where the place of the artist is threatened by technology and its consequences, William S. Burroughs’ book/pamphlet “Electronic Revolution” appears as an inspiring response, projecting an offbeat poetic-political imagination, where literary writing meets musical improvisation. The uchronia that transpires upon reading this text—written over 40 years ago—oscillates between ambitious schoolboy pranks and horrifying visions of new technology.